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Safety Designer How to Upload a Configuration on a Device

Written By Saturday, April 16, 2022 Add Comment Edit

Overview

Designer System Configuration Software enables integrators and organization planners to design and implement accurate sound coverage for installations using a variety of select Shure microphones and other select Shure devices. Designer allows online and offline blueprint, routing, configuration, and push to online devices, all in one tool. You can accurately model meeting and presentation spaces by importing a floor programme, scaling your room, positioning devices effectually participant areas, and arranging the pick-up lobes over the room diagram for precise coverage.

Designer allows you to create and edit coverage parameters before your devices are installed:

  • place the microphone positioning, room size, and ceiling tiptop
  • add channels
  • create accurate coverage areas
  • adjust equalizer settings
  • manage bespeak routing

After completing your blueprint work offline, you tin can push button the settings to the live devices and fine-melody on site, all from within Designer. If you adopt, you tin can always export the device presets to upload and use each device's web user interface.

Features

  • Design audio coverage, whether online or offline, for installations using these Shure microphones and devices:
    • IntelliMix® Room
    • MXA910 Ceiling Array Microphone
    • MXA710 Linear Array Microphone
    • MXA310 Tabular array Array Microphone
    • P300 IntelliMix Sound Conferencing Processor
    • ANIUSB-MATRIX USB Audio Network Interface
    • Microflex Networked Ceiling Loudspeaker
    • MXA Network Mute Button
  • Accurately calibration flooring plans and reference photos for precise device setup
  • Add together multiple devices to create larger and more complex installations
  • Perform the point routing for multiple Shure products in ane software tool
  • Create and reuse templates across multiple locations
  • Push settings to a group of devices at one fourth dimension
  • Easily export device presets for an individual location
  • Organize installations for multiple rooms, buildings, and clients
  • Relieve time and travel expenses past importing a flooring program and using virtual devices to design your system offline
  • Share project files with other Designer users and then that multiple people tin can piece of work on a project

Getting Started

1. Create a project

Start a Designer project and create a room that matches your planned environment. Yous tin create a room (live) or create a room (design) that y'all tin can deploy at a subsequently time.

2. Add devices to your room

Elevate the devices that you desire to work with into the room.

  • If y'all are creating a room (alive), you will be adding online devices on your network to your room.
  • If you lot are creating a room (blueprint), you will be adding virtual devices to your room that you can associate with online devices and deploy later.

iii. Optimize your room

Click Optimize to allow Designer to connect your Shure devices. You must have at least one microphone and ane processor in a room to use Designer's Optimize characteristic.

Do y'all only take microphones? You can continue to make manual adjustments by selecting individual devices to adjust their properties to the right or click Configure to admission and modify the more advanced settings.

Designer'southward Optimize workflow speeds up the procedure of connecting systems with at least 1 microphone and 1 sound processor. Optimize also creates mute command routes in rooms with MXA network mute buttons. When you select Optimize in a room, Designer does the following:

  • Creates audio routes and mute command routes
  • Adjusts audio settings
  • Turns on mute synchronization
  • Enables LED logic control for applicable devices

The settings are optimized for your particular combination of devices. Y'all can customize settings farther, but the Optimize workflow gives you a good starting bespeak.

Later optimizing a room, you should check and adjust settings to fit your needs. These steps may include:

  • Deleting unnecessary routes.
  • Checking levels and adjusting gain.
  • Verifying that AEC reference signals are correctly routed.
  • Fine-tuning DSP blocks as needed.

Uniform devices:

  • MXA910
  • MXA710
  • MXA310
  • P300
  • IntelliMix® Room
  • ANIUSB-MATRIX
  • MXN5-C
  • MXA Network Mute Button

iv. Fine-melody your arrangement

Use the Coverage map to configure the devices and conform the coverage areas in your room. Additionally, you should select individual devices to adjust their properties to the right or click Configure to admission and alter the more than advanced settings.

five. Device-specific tasks

  • Ceiling and Linear array microphones and ceiling loudspeaker just:
    1. Coverage map tab - Size the room using the actual room dimensions and specifications.
    2. Use a floor program or reference image to begin designing your room. Click Add epitome to import your floor plan and calibration it to a reference point on the drawing.

      Use the image to focus the audio coverage on the expected participant areas and design with greater accuracy using real room dimensions.

    3. Add devices and position the channels around participant areas. Multiple devices tin can be set up in the same room, enabling excellent audio coverage for larger and more than complex spaces. Click Add channel to embrace the space with lobes.

    4. Utilize Designer to conform the blaster settings, manage the signal routing, and set device properties.
  • Table array microphones but:
    1. Select the device and click Configure.
    2. Click Add channel to add channels for the microphone.
    3. Utilise Properties to make selections for the aqueduct settings.
  • Other devices:
    1. Select the device and click Configure.
    2. Use the various features to make selections for the signal processing settings.

half dozen. Final adjustments

To complete configuring the devices in your room, you can make changes directly to your devices and fine-tune each channel by listening to the sound check and making adjustments in real-time from within Designer.

Software Installation

Downloading the Application

Download the application and learn more at world wide web.shure.com/designer.

Software Releases

New versions of this software are periodically released to include new features and performance improvements. This documentation supports the latest version of the software. For more than information on individual releases, see the release notes on www.shure.com.

Contact the Shure Support Team

Shure System Support provides regional support teams with in-depth knowledge of Shure devices, digital sound networking, and all-time practices for your installation. If you come across whatever issues during installation or setup of the software, contact Shure System Support for assistance. In the Americas region, you lot tin call 312-736-6006 or visit world wide web.shure.com to find your local support contact.

System Requirements

Prerequisites

Required Ports

  • Web API
  • MongoDB
  • Shure Arrangement API
 Four ports, dynamically allocated at install using available ports in the range of 10000-65535

Install Windows Updates

Make sure your operating system is upwardly-to-date before software installation.

Operating System

The follow operating systems are supported on a physical or virtual auto:

  • Windows 10 (Professional or Enterprise), 64-scrap edition

Hardware

System memory 16 GB of RAM available
Hard-disk space 2 GB available
Processor i5 Dual-cadre processor

Automatic Configuration Updates

The following settings are automatically made during software installation.

Installer Prerequisites

The post-obit prerequisites are automatically added during the installation process:

  • Microsoft .NET Framework 4.vii.2
  • MongoDB v3.iv.0

Windows Firewall

LocalPort 5568, 8427

Fill-in and Restore the Database

Protect against data loss past bankroll upwards the MongoDB database (installed with Designer) that stores your Shure software information. Backups are also useful when migrating to a new server.

Backups shop all projects, locations, and device settings that your team makes in the software. For backup restoration, only those backup files (.bak) that friction match the current operating software version are supported.

Identify the MongoDB port

You must place the dynamically allocated port for MongoDB by looking in the configuration section of:

"[location of Designer Software install directory]\Services\Mongo-3.4.0\Bin\mongod.cfg"

The port number is specified in the following lines:

"
cyberspace:
port: [port #]
"

Backup the Mongo Database

Use the machine installed with the software to create the MongoDB fill-in.

  1. Identify a location to archive the database fill-in. You utilize this path in the command line.
  2. Brainstorm to open a control prompt by opening the Get-go menu and start typing "command". Do not press Enter.
  3. Right-click the control prompt item and select Run as administrator.
  4. Blazon the following command line (including quotation marks for file paths) after replacing the placeholders marked by [ ]:

    "[location of Designer Software install directory]\Services\Mongo-iii.iv.0\Bin\mongodump.exe" --host localhost
    --port [MongoDB port number] --gzip --archive="[path and file proper name of backup]"

    Tip: Sample command line with default settings:

    "c:\Program Files\Shure\Shure Designer\Services\Mongo-iii.4.0\Bin\mongodump.exe" --host localhost
    --port [MongoDB port number] --gzip --archive="c:\Shure.bak"

  5. Printing Enter. The file is archived at the path specified in the prompt.

Restore a Database Backup

  1. On the motorcar installed with the software, open up a command prompt by opening the Showtime menu and outset typing "control". Do not press Enter.
  2. Right-click the command prompt particular and select Run as administrator.
  3. Blazon the following command line (including quotation marks for file paths) after replacing the placeholders marked by [ ]:

    "[location of Designer Software install directory]\Services\Mongo-three.4.0\Bin\mongorestore.exe" --host localhost
    --port [MongoDB port number] --drib --gzip --archive="[path and file name of backup]"

    Tip: Sample command line with default settings:

    "c:\Program Files\Shure\Shure Designer\Services\Mongo-iii.4.0\Bin\mongorestore.exe" --host localhost
    --port [MongoDB port number] --driblet --gzip --annal="c:\Shure.bak"

  4. Printing Enter.
  5. Reload the database configuration by typing

    iisreset

    at the command prompt.

Supported Devices

The post-obit Shure devices are supported in Designer. Whenever possible, upgrade to the latest supported firmware version to take advantage of new features and arrangement improvements.

  • MXA910 Ceiling Array Microphone (User Guide)
  • MXA710 Linear Array Microphone (User Guide)
  • MXA310 Table Array Microphone (User Guide)
  • IntelliMix Room Audio Processing Software (User Guide)
  • P300 IntelliMix Sound Conferencing Processor (User Guide)
  • ANIUSB-MATRIX Audio Network Interface (User Guide)
  • Microflex Networked Ceiling Loudspeaker (User Guide)
  • MXA Network Mute Button (User Guide)

Important:

  • Refer to the Release notes for a list of uniform firmware versions
  • Exported projects are non backward uniform to previous versions of Designer

See Firmware Updates for more information on updating firmware.

Change the Language of the Interface

  1. Access My Account past clicking the area in the upper left well-nigh your name.
  2. Employ the drib-downwards menu to select your preferred language.
  3. Click Salvage changes.

Organizing Your Designs

Shure Designer software helps you develop and organize your audio installation projects. Gear up your projects to best reverberate your work flow:

Organize by project using locations

Projects are scalable: design a unmarried room or develop several locations spanning buildings and campuses

Organize by layout using rooms

Copy and re-use room designs to create designs for similar rooms

Creating a projection

To create a project,

  1. Click My projects in the bill of fare on the left.
  2. Click .
  3. Blazon a name for your project and a description.
  4. Click Create.

Design Rooms

Designer uses rooms and so you can create multiple designs inside each project. You can create a room in your project for each space you are designing. Yous tin arrange rooms to friction match the projection infrastructure (buildings and floors) or your own work menstruum (room types).

Creating a Room

  1. Open up a project.
  2. Select Rooms if not already selected.
  3. Click New > Room(live) or Room(blueprint).
  4. Type the proper noun for your room and a description.
  5. Click Create.

Designer creates a room with that name in your projection listing and opens a blueprint window for that room.

If y'all are going to create multiple rooms and prefer to group them into folders, you can create a folder starting time.

  1. Open a project.
  2. Select Rooms if not already selected.
  3. Click New > Binder.
  4. Type the name of your folder and a clarification.
  5. Click Create.

Designer creates a folder with that name and adds information technology to your project list.

Double-click the binder to open information technology and follow the previous steps to create a room.

Importing and Exporting Projects

Export your Designer project to share and interact with other arrangement designers, or to save a fill-in of your work. The export includes all rooms within your project, including all virtual device settings, routing, and coverage designs.

Designer projects download equally .dprj files and are only compatible with Shure Designer software.

Importing a Project

  1. Click My projects.
  2. Click Import project and browse to the file you desire to import.

Exporting a Projection

  1. Click My projects.
  2. When you hover over a project, (More), becomes bachelor to the correct. Click the icon.
  3. Select Export. The file proper noun is the project name in Designer .

Setting Up the Room

Calculation Devices

You add virtual devices to your workspace by dragging them from the left side menu onto your workspace.

Using Designer's Optimize Workflow

Designer's Optimize workflow speeds up the process of connecting systems with at least 1 microphone and 1 audio processor. Optimize also creates mute control routes in rooms with MXA network mute buttons. When yous select Optimize in a room, Designer does the following:

  • Creates sound routes and mute control routes
  • Adjusts audio settings
  • Turns on mute synchronization
  • Enables LED logic command for applicable devices

The settings are optimized for your particular combination of devices. Y'all can customize settings farther, but the Optimize workflow gives you a skillful starting indicate.

After optimizing a room, you should check and arrange settings to fit your needs. These steps may include:

  • Deleting unnecessary routes.
  • Checking levels and adjusting gain.
  • Verifying that AEC reference signals are correctly routed.
  • Fine-tuning DSP blocks as needed.

Compatible devices:

  • MXA910
  • MXA710
  • MXA310
  • P300
  • IntelliMix Room
  • ANIUSB-MATRIX
  • MXN5-C
  • MXA Network Mute Button

To utilize the Optimize workflow:

  1. Place all relevant devices in a room.
  2. Select Optimize. Designer optimizes microphone and DSP settings for your equipment combination.

    If you remove or add together devices, select Optimize once more.

Routing

Yous tin create Dante routes for the supported Shure devices past clicking and dragging to make connections between the devices.

  • You can drag the devices to suit them in the workspace. The Shure device names identify the devices.
  • Hovering over the input or output on a device displays the Dante name, the Dante channel, and identifies it as an input or an output.
  • Click on the input or output channel of one device and then click on the aqueduct of the other device to create the route.

After Designer creates the road, hovering over either endpoint identifies the Dante device and channel connections.

Note: By default, Designer pushes the routes when pushing virtual device settings to the discovered devices, simply you tin opt out of creating and pushing routes if yous are using a 3rd party DSP, for instance.

Determining Route Status

The Routing page uses icons to place valid and invalid Dante routes :

Possible consequence Resolution
Receiver cannot locate the subscribed transmitter.

or

Transmitter cannot locate the subscribed receiver.

 If simply offline, the online device will locate the offline device when it comes dorsum online.
Receiver can locate the subscribed transmitter, but there is a coding mismatch because one of the endpoints does not have encryption enabled, while the other 1 does. Re-central the encryption or disable encryption for both devices.
Receiver tin can locate the subscribed transmitter, but at that place is a coding mismatch because the endpoints have different encryption keys. Re-key the encryption or disable encryption for both devices.
Receiver tin locate the subscribed transmitter, but there is a coding mismatch or other problem preventing proper operation across the route. Re-cardinal the encryption or disable encryption for both devices.

Using the Coverage Map

You use the Coverage map for the MXA910 Ceiling Assortment microphones, the MXA710 Linear Array microphones, and the Microflex Networked Ceiling Loudspeaker. The Coverage map is very helpful when you have added an image of the room and you tin can use it to position the microphone and its channels. You tin can drag one or more microphones onto the workspace, dragging to the desired position or typing the exact coordinates in Backdrop.

To create more authentic layouts, match the room specifications by editing the Workspace properties from the coverage editor or the Properties panel. To access workspace edit mode, you must click the dimensions above the workspace grid

With editing enabled, you can modify your workspace properties:

Workspace
Length and Width Set the length and width of your room.
Ceiling acme Set the ceiling height of your room. This setting becomes the default device height when you lot add a device, though you can alter them independently at any fourth dimension.
Units Select the unit of measure for your room:
  • Anxiety (default)
  • Meters

Tip: Lucifer the unit of measure out to your hardware device (for instance, inches for MXA910-24IN or meters for MXA910-60CM).
Grid: Grid starting point (X and Y) Start the grid from a dissimilar bespeak on the workspace to align with a reference object, such equally a ceiling tile in the background image.

Keyboard Shortcuts for Coverage Map

Shortcut Description
Delete Delete the selected device or channel
Up, Downward, Left, or Right Move the selected device or channel
  • Filigree snap on: To the nearest filigree
  • Grid snap off: I unit of measure (0.1 feet or .01 meters)
Shift + Rotate (elevate using the mouse) Rotate the selected device or epitome in 45 degree increments
Control wheel Zoom in or out on the workspace

Adding a Background Image

Add together a groundwork image to your room to help focus the pattern effectually the participant seating arrangements and presentation areas. Images tin be scaled to represent real room dimensions for accurately positioning devices and audio coverage.

Groundwork image

  1. Open a room and click Coverage map.
  2. Access workspace edit mode by clicking the dimensions above the workspace grid
  3. Select Add image and browse to the image on your reckoner.
  4. Select Open to add together it to your workspace.

Supported file types:

  • .jpg
  • .jpeg
  • .png
  • .gif

Redraw the Image to Scale

After you add an paradigm to Designer, yous can scale information technology based on a reference point in the drawing. If you do not know an bodily measurement in your image, you tin always scale the prototype later.

  1. Add together the image to the workspace.
  2. Detect an object in your drawing that has a known length.
  3. Use the cursor to draw the reference line.

  4. Enter the real length of the object into the reference size window and select Apply.

    Calibration the image using a reference dimension

  5. Resize the workspace to fit the newly scaled image.

You can redraw to scale at whatever fourth dimension from .

Positioning Devices Using the Grid and Guidelines

Use the grid in Designer to motion objects to an exact point in the workspace. When Snap to grid is selected, the device reference corner aligns automatically to the closest grid corner.

Aligning devices on the grid

Open (Options) on the coverage page to enable or disable the positioning tools:

  • Prove filigree assists with adjustment objects.
  • Snap to grid ensure that objects align precisely on the workspace.
  • Show guides displays the X and Y coordinates to the device reference point from the workspace 0,0 coordinates
  • Shift + Grabbing the rotation handle restricts rotation to 45 degree increments.

Filigree Beginning

Align the grid with a reference indicate in your image, such as a ceiling tile or door frame, by adjusting the grid first.

  1. Enter edit mode by selecting the dimensions above the workspace.

  2. Grab the grid beginning tool and motion it to the reference line.

Moving, rotating, and resizing objects

Yous can make changes to the devices in the Designer Coverage map.

Coverage Map - Image

Enter edit fashion by clicking Edit prototype in a higher place the workspace.

To leave, select anywhere exterior of the prototype.

Changing the opacity Adjust the transparency of the background paradigm to provide more or less visibility in relation to the workspace and devices. A lower opacity value results in a more than transparent image, while a higher value results in a darker image that matches the original file.
Resizing the prototype Resize the image by dragging the corner of an image or inbound a value into the properties panel. The ratio is locked so that changes to one dimension proportionally touch the other.
Moving the paradigm Alter the position of a device in relation to the top-left corner of the workspace.
Rotating the image Rotate the device to correctly position it in the room. Click and drag the handle to rotate the epitome to the desired position.

Tip: Hold the shift key to rotate in 45 degree increments.

Coverage Map - Devices

Adding a device Drag a device from the devices panel into the workspace.
Selecting a device Click on a device in the workspace to select information technology and to exist able to edit its properties. To exit, click anywhere outside of the device.
Removing a device Select information technology and printing Delete or .
Positioning a device Drag or nudge a device into a desired position on the workspace. The device properties displays its position in relation to the workspace 0,0 point.

Device reference point

This bespeak is used to measure coordinates.
Rotating a device Click and drag the handle to rotate the device to the desired position.

Tip: Agree the shift central to rotate in 45 caste increments.

Coverage Map - Channels

Select the channel to edit its properties. To exit, select anywhere outside of the channel.

Adding a channel Select the device and press Add aqueduct
Removing a channel Select the aqueduct and press Delete or .
Positioning a channel Drag or nudge a channel into a desired position. The channel backdrop displays its position in relation to the device and the workspace 0,0 signal.
Resizing a channel The channel size is a combination of selectable width setting and automatically calculated properties based on layout specifications.
  • Channel width: narrow (35 degrees), medium (45 degrees), or wide (55 degrees)
  • Layout specifications: the channel changes shape due to a combination of talker height, device height, and distance from the microphone.

Coverage Map - Layers

With multiple devices in a workspace, it can become crowded when trying to select a device or aqueduct. Use the Layers carte du jour to the left of the workspace to select the device with which you want to work.

Working with Virtual Devices

Designer lets arrangement planners piece of work off-line and off-site by using virtual devices. Virtual devices permit you to fix microphone coverage, fix device properties, adjust blaster settings, and configure Dante audio routing, all without a connection to the hardware. To piece of work with virtual devices, select Create room (design):

After you complete your room or projection, finish the job on-site past associating with discovered, online devices and deploying your design. You tin can then use Designer to fine-tune the properties on those devices in real-fourth dimension.

Deploying Designs to Discovered Devices

After calculation devices to your room, optimizing, and configuring your audio coverage, you tin can deploy your design to push the settings out to the discovered devices.

  1. Click Deploy to push your design to the discovered devices.
  2. Associate your discovered devices with your design by selecting from the list of available devices.

    Associating a discovered device with a design device does not really push the settings to the discovered devices until you click Deploy.

    You disassociate a device by clicking X.

  3. When all of your associations take been fabricated, click Deploy.

    The green banner across the top identifies that you lot are in live mode and working with discovered devices.

    To the left you see all of the discovered devices on your network that accept not already been added to another one of your rooms. Designer automatically discovers supported Shure devices on the same subnet and you lot can add cantankerous-subnet devices past navigating to Online devices where you lot can add them by IP address.

    If you have many devices, you lot can sort by device proper name, IP address, or device model. You should initially hover over a discovered device and click to identify it, ensuring that you are working with the correct one.

When yous Deploy, Designer overwrites everything on your discovered devices except for:

  • network settings
  • password and encryption settings
  • Dante device proper noun and channel proper noun

In live way, you lot are making changes straight to your discovered devices and you can fine-melody them with Designer.

Note: Be aware that some of the changes yous make can crusade the audio to momentarily driblet out.

Saving Presets

When your devices are configured and ready for a given room, yous might desire to save a specific design as a preset on all the devices. Presets are useful, for example, for a multipurpose or combinable room where the room can take different configurations. You can have multiple preset designs set to apply when the room configuration changes.

To save settings every bit Presets:

  1. Click (Presets) in the upper right corner to open up the Device presets pane. This shows you the presets for all devices in the room.
  2. Select a preset slot.
  3. Enter a name for the preset.
  4. Click Save.

To employ presets to the devices:

  1. Click (Presets) in the upper right corner to open the Device presets pane.
  2. Select the preset that you want to use.
  3. Click Apply.

Notes:

  • Routing information is not saved in presets.
  • If you are in Live way, preset activity may cause the audio to momentarily drop out.
  • Any changes fabricated afterward applying presets results in an unsaved state. Save any new settings to a new preset slot or overwrite the old one with your new settings.
  • Designer evaluates the current room's state based on the device preset slot names. If multiple devices in the same room exercise not share the same preset slot name, Designer determines that the room land is "Mixed". To resolve the mixed state, y'all must change the preset slot names on the devices separately so that they match.

Event Log

To view the result log, click Event log from the main menu.

The result log provides a detailed account of activity within Designer. The log collects and time-stamps action entries and retains them for the period of time that you specify in Settings, from xxx to 360 days. The Export feature creates a CSV (comma separated values) document to save and sort the log data.

To consign the issue log for a specific device, navigate to that device in Live mode and Click . This feature creates a CSV (comma separated values) document of the log data.

Refer to the log file for details when troubleshooting or consulting with Shure Systems Back up.

Severity Level
Information An action or event has been successfully completed.
Warning An activity cannot be complete, but overall functionality is stable.
Error A problem has occurred that could inhibit functionality.
Log Details
Event Indicates the event type.
Description Provides details on events and errors, including IP address and room where applicable.
Date Appointment and time of the result.

Tip: Select a category heading to sort the log.

MXA910

Configuring Microphone Coverage for MXA910

Reference these steps to become upwards and running with the MXA910 ceiling array microphone. For in-depth information on microphone properties and best practices, come across the full MXA910 Ceiling Array User Guide.

Set Device Properties

Select the device and gear up the properties:

  1. Enter a value for the device top (the distance between the flooring and the microphone). By default, the device superlative matches the ceiling acme, though you can adjust them independently.
  2. Move and rotate the device to lucifer your layout.

Position Microphone Coverage

  1. Add channels past clicking Add aqueduct higher up the workspace.
  2. Enter the talker height by selecting a aqueduct and providing the value in the Properties. This ensures authentic aiming.
  3. Move channels to cover the appropriate areas:
    • Channels are independently selectable and tin be moved anywhere within the maximum allowed coverage area. If dragged outside of this region, lobes plow ruddy and revert dorsum to the last adequate position.
    • Position the channels past dragging or nudging them into place. Altitude values to the device and to the workspace 0,0 are calculated in the properties panel.
    • Use the grid to mensurate the precise placement.

Adjust Channel Width

Contained width control makes it possible for some channels to capture private talkers (narrow), while others embrace multiple talkers (wide).

To change a channel width:

  1. Select the channel
  2. Choose a width setting from the pull-down card. The width is calculated and displayed, based on the lobe location and heights entered for the device and talker.

Width Settings:

  • Narrow (35°)
  • Medium (45°)
  • Broad (55°)

Channel widths for the 3 settings with the microphone 6 feet above a table

Use Auto position

You lot can use Motorcar position to correctly position the lobe for a selected aqueduct:

  1. Select a channel.
  2. Click Automobile position.
  3. Ensure that you take the correct channel selected and the talker height specified.
  4. Click Listen. Designer listens and determines the right position and width for the aqueduct.
  5. A confirmation dialog displays when Designer determines the correct position and width.

Ceiling Assortment Microphone Placement

Room Variables

Optimal microphone placement is determined by the seating arrangements and infrastructure. Follow these guidelines for the best possible results:

  • In rooms with flexible furniture arrangements or multiple array microphones, utilize the microphone configuration tool in Designer to ensure that the coverage is adequate for all seating scenarios.
  • The lobes should be pointed towards the front of each talker. Carefully consider placement in rooms where talkers may face a screen during a video conference.
  • Avert installing the microphone direct side by side to unwanted sound sources, such as air vents or noisy video projectors.
  • Consider installing acoustic treatment to improve spoken communication intelligibility in rooms that are too reverberant.

Mounting Height for Ceiling Array Microphone

The maximum mounting height that can be set up for the ceiling array microphone in Designer is thirty anxiety (nine.14 meters). In a typical audio-visual environsone, the microphone maintains an "A" rating based on the STIPA2 (Spoken language Transmission Index for Public Accost systems) international standard at distances upwards to 16 anxiety between the microphone and talker. In better acoustic environments, the STIPA "A" rating may extend beyond sixteen feet.

Consider the following when determining a mounting peak:

  • The pickup pattern of the ceiling assortment is narrower than a shotgun microphone, and therefore it can be placed farther from the source than any other microphone. While Designer shows an ideal coverage zone for each channel, keep in mind that at that place is no specific bulwark at which the sound degrades or gates off. Lobe sensitivity data is available for each width setting in the production specifications.
  • Like all microphones, tonality changes as the altitude from the source increases.
  • The intelligibility calibration helps to predict how the microphone will sound at a given height.
  • The coverage area of the lobes increases at farther distances.

[1] Room conditions: RT60 (reverb time) = 500 ms @ 1kHz, A weighted room noise = 40dBSPL(A)

[2] IEC-602682-sixteen standard

Intelligibility Scale

The intelligibility scale objectively compares the audio-visual functioning of the assortment microphone with a cardioid gooseneck microphone at various distances. This data is useful for predicting how the array microphone will perform at a given distance and to make up one's mind an ideal mounting summit. The data in the intelligibility scale table is derived from measuring the microphones to meet an equivalent value from the Speech Transmission Index IEC-602682-16 standard.

Distances With Equivalent Speech Manual Index Values

Ceiling Array Microphone (Distance to Talker) Cardioid Gooseneck Microphone (Distance to Talker)
6 ft (1.83 m) iii.75 feet (i.xiv m)
8 ft (two.44 thou) v feet (1.52 chiliad)
ten ft (3.05 g) 6.25 anxiety (1.91 m)
12 ft (3.66 m) 7.5 anxiety (two.29 k)

Data was collected in a typical huddle room with the post-obit measurements:

  • Reverberation decay time: 500 ms @ 1kHz
  • Noise flooring: forty dB SPL (A-weighted)

Annotation: These values are specific to the described room. In a well-controlled acoustic environs, the array microphone may perform with equivalent Speech Transmission Alphabetize values at even greater distances. In highly reverberant rooms, the operation is less predictable.

A = Distance between array microphone and talker

B = Altitude between cardioid microphone and talker

In this instance, the acoustic performance of the array microphone mounted (A) feet from the talker matches the cardioid gooseneck microphone placed at a distance of (B) feet from the talker.

Using Autofocus™ to Improve Coverage

This microphone uses built-in Autofocus engineering to fine-melody each lobe'due south position in existent time, even if coming together participants lean back or stand up upwards. You'll see the lobes moving in Designer's coverage map as participants shift positions. Autofocus only responds to in-room sound sources.

For best results with Autofocus, ever route a reference source to the microphone'due south AEC Reference In channel. Even if you're simply using direct outputs from the microphone and a different DSP, route a reference indicate to the microphone'south AEC Reference In channel to take total advantage of Autofocus.

MXA710

Reference these topics to get up and running with the MXA710 linear array microphone. For in-depth information on microphone properties and all-time practices, meet the full MXA710 Microphone User Guide.

How to Adjust Microphone Coverage

To control microphone coverage, use Designer. Microphone coverage is at the room level, meaning that there is one coverage map for all microphones in a room.

  1. Go to .
  2. Drag your microphone onto the coverage map if it isn't there already. The first time you do this, y'all'll be prompted to choose an installation orientation. In that location are 4 options:
    • Wall horizontal
    • Wall vertical
    • Ceiling
    • Table

    These coverage templates are designed and tested to fit most common installations.

  3. Accommodate each lobe's width (narrow, medium, or wide) and position every bit needed in the Properties panel. Adjust the microphone's position and orientation to match your room'due south layout.
  4. Heed to each of your microphone'southward channels and adjust the lobe position, width, and gain as needed.

    The solid blue line in each lobe represents where the coverage is the strongest. The border of the blue coverage area for each lobe represents where the lobe's sensitivity reaches -half dozen dB.

    Autofocus engineering science fine-tunes each lobe position in real time, even if meeting participants lean back or stand up upwardly.

Tips for Great Coverage

  • Click and drag lobes to change their position.
  • Select the microphone and become to to change the installation blazon.
  • Lobes can embrace 1 talker or many talkers depending on width. Test and listen to your settings, and accommodate equally needed.
  • Ceiling installations: For best coverage, avert using narrow lobes.
  • Lobes are bidirectional in some positions because of the microphone's pickup blueprint.

Using Autofocus to Improve Coverage

This microphone uses built-in Autofocus engineering to fine-tune each lobe's position in existent time, even if meeting participants lean back or stand up upward. You lot'll see the lobes moving in Designer's coverage map every bit participants shift positions. Autofocus only responds to in-room sound sources.

For all-time results with Autofocus, always route a reference source to the microphone'south AEC Reference In aqueduct. Even if you're only using direct outputs from the microphone and a different DSP, route a reference point to the microphone'south AEC Reference In aqueduct to have full advantage of Autofocus.

MXA310

Reference these topics to get upwardly and running with the MXA310 table array microphone. For in-depth data on microphone backdrop and best practices, come across the full MXA310 Tabular array Array User Guide.

Table Array Microphone Placement

Each microphone has iv channels that tin be aimed independently, based on the seating arrangement. Each channel features contained polar patterns and additional channel settings, attainable through Designer .

Designer provides increased positioning flexibility over traditional conferencing microphones:

  • Configurable pickup areas can be rotated and modified for the number of talkers.
  • Network connectivity, device identification, and presets allow moving, adding and removing microphones with ease.
  • Independent channels and automixing brand Dante™ signal routing simple and flexible.
  • Customized presets tin can be saved to immediately recall different room configurations.

Seating Scenarios

Each channel tin can capture one or several talkers. In rooms with flexible furniture arrangements, microphones can be moved to comprehend various seating arrangements as long as they are plugged into the same network.

Note: Settings are saved on each microphone, and are retained when plugged into a different network port. Presets tin can be recalled and deployed through Designer , or through an external control system.

Single-Microphone Applications (Multiple Channels)

With four independent channels and polar patterns, coverage tin can be customized to match the table shape, size, and seating arrangement. The automatic mixing characteristic helps reduce extraneous noise (such as typing or paper shuffling) from interfering with speech intelligibility on the far finish.

Toroid Pattern Applications

The toroid design rejects sound from directly above the microphone to reduce noise from video projectors or other sources of unwanted sound. It is the simplest way to ensure equal coverage among all talkers, while retaining the benefits of the rejection provided past a directional polar pattern. When this design is used, the audio is sent over a unmarried channel. Therefore, when automatic mixing is desired, configure the microphone to utilize multiple directional patterns instead of the toroid pattern.

Noise from a ceiling-mounted projector is rejected, while all talkers are covered.

For a table with a unmarried microphone and more than iv talkers, the toroid pattern to ensures that all voices are heard every bit.

Coverage With Multiple Microphones

For large tables, a series of microphones captures all talkers. Place the microphones in the center of the table for balanced pickup and accurate aiming. For the best sound quality and clarity, use plenty microphones so that each talker has their own channel.

A table with x people is covered by 4 microphones, with an independent channel for each person.

For a large table with 2 microphones, place the microphones to encompass equally sized areas. Apply the Toroid or Omnidirectional setting to encompass the unabridged tabular array.

IntelliMix Room

Reference these topics to get upward and running with IntelliMix Room. For in-depth data on this software and best practices, see the full IntelliMix Room User Guide.

Using Videoconferencing Software with IntelliMix Room

To connect IntelliMix Room to videoconferencing software, select IntelliMix Room Echo Cancelling Speakerphone as the speaker and the microphone in your videoconferencing software. Practise the same thing in the computer's sound settings.

Screenshot showing IntelliMix Room selected as the speaker and microphone in videoconferencing software., Tangkapan layar menampilkan IntelliMix Room dipilih sebagai speaker dan mikrofon pada perangkat lunak konferensi video., Screenshot toont IntelliMix Room geselecteerd als de speaker en microfoon in videoconferentiesoftware.

The microphone setting sends signals to the videoconferencing software from whatsoever microphone connected to IntelliMix Room.

The speaker setting sends a far-finish signal from the videoconferencing software to IntelliMix Room. This is how IntelliMix Room gets an AEC reference and a signal for local sound reinforcement.

If you choose a different source as the speaker, you won't be able to get far-terminate audio from the videoconferencing software into IntelliMix Room to use as an AEC reference.

Routing Microphone Signals to the DSP

To road your microphone's betoken to IntelliMix Room for processing, utilise Designer.

This example reflects a small conference room with:

  1. MXA310 using iv channels
  2. Estimator with 8-aqueduct IntelliMix Room and videoconferencing software installed
  3. Brandish and camera

To route signals to the DSP:

  1. Create a location in Designer. Add the MXA310 and IntelliMix Room installation to the location from the Online devices list.
    • Both devices must be in the same location to route sound betwixt them.
  2. Open the location and go to Routing. This page creates Dante audio routes betwixt Shure devices.
  3. Drag and driblet from the MXA310's 4 outputs to any 4 inputs on IntelliMix Room. Information technology's all-time to use the individual channel outputs from the microphone and not the automix output, considering IntelliMix Room has its own automixer.

    Screenshot showing how to route audio from an MXA310 to IntelliMix Room using Shure Designer software.

  4. Click Optimize audio. This feature automatically changes microphone and DSP settings to piece of work best for your connected devices. You lot can customize settings further, only optimize sound gives you a skilful starting point.
  5. Open IntelliMix Room'due south device configuration window. From here, you can arrange DSP settings and route the signal to other sources. Cheque that your mic inputs are using the AEC reference you want to use.
  6. To send your bespeak to other sources, go to Matrix mixer.
    • To send the automix bespeak to videoconferencing software, route to the virtual audio output.
    • To ship the automix point to other Dante sources, route to the appropriate Dante output. Use Dante Controller to route IntelliMix Room Dante outputs to not-Shure devices.

Note: If you're using a non-Shure Dante microphone, use Dante Controller to route the near-terminate betoken to IntelliMix Room.

P300

Pre- and Post-Gain Metering

The 2 metering modes allow you lot to monitor signal levels before and after the gain stages.

Input Metering

  • Pre-gain: Displays the pre-fader signal level. If signals are too depression or clipping, suit them at the source.
  • Mail-gain: Displays the post-fader signal level, then the meters reflect proceeds adjustments on input faders. This meter does not include automatic gain command or any other processing.

Output Metering

  • Pre-proceeds: Displays signal levels after input gain has been practical, but before the output faders. This meter includes input faders, digital signal processing blocks, automixing, and crosspoint proceeds.
  • Post-gain: Displays the post-fader indicate level sent to each output. This meter includes gain adjustments fabricated on the output faders.

Setting Up Mute Sync on the MXA310 and P300

Employ this setup to mute the P300 by pressing the mute button on the MXA310. In the P300's signal chain, muting happens after the DSP and then that the AEC stays converged.

  1. Open up the P300 in Designer and go to Inputs.
  2. On any channel strip, select Logic enable. This enables logic on all channels.
  3. Open the MXA310 in Designer and go to .
  4. Set up the Mute control function to Logic out.
  5. Become to Lights. Set up the style to Ring.

ANIUSB

Reference these topics to become upward and running with the ANIUSB-MATRIX Audio Network Interface. For in-depth information on this device and best practices, see the full ANIUSB-MATRIX User Guide.

Dante Transmit Flows

This device supports upward to two transmit flows and two receive flows. A single catamenia consists of up to four channels, through either a unicast or multicast manual.

  • A unicast catamenia is a point-to-point connection between ii devices, supporting up to four channels per period.
  • A multicast menstruation is a ane-to-many transmission, which supports sending up to four channels to multiple receiving devices across the network.

Shure Device Applications

This device can connect with up to two Dante devices.

The Shure MXA310, ANI22, ANIUSB-MATRIX and ANI4IN support multicast transmission. This means that flows can transmit to multiple devices -- as many as the network tin can back up. If using unicast flows, each of these devices can connect with up to 2 Dante receiver devices.

The Shure ANI4OUT connects with upwardly to two Dante transmitter devices.

Setting Upwards Mute Sync on the MXA310 and ANIUSB-MATRIX

Utilize this setup to mute the ANIUSB-MATRIX by pressing the mute button on the MXA310. In the ANIUSB-MATRIX'southward signal chain, muting happens later on the inputs.

Designer 4.2 and newer:

  1. Add the ANIUSB-MATRIX and MXA310 to the aforementioned location in Designer.
  2. Select Optimize. Designer optimizes microphone and DSP settings for your equipment combination, including turning on mute synchronization.

Designer 4.1.x and older

  1. Open up the ANIUSB-MATRIX in Designer and go to Inputs.
  2. On any channel strip, select Logic enable. This enables logic on all channels.
  3. Open the MXA310 in Designer and go to .
  4. Gear up the Mute control part to Logic out.
  5. Go to Lights. Set up the way to Ring.

Microflex™ Networked Ceiling Loudspeaker

Reference these topics to become upwardly and running with Microflex Networked Ceiling Loudspeaker. For in-depth information on loudspeaker properties and best practices, see the full Networked Ceiling Loudspeaker User Guide.

Routing Signals to the Loudspeaker

To route audio to the loudspeakers, yous can use Shure Designer software or Dante Controller software.

  1. In Designer, create a room that has all loudspeakers and any Dante audio sources.
    • Shure's P300 or ANI processors are easy means to manage Dante signals from many sources.
  2. Go to Routing. Drag and drib from the audio source output to the loudspeaker input to create Dante routes. You lot tin also employ Designer's Optimize workflow.

    If you lot're sending a signal from ane loudspeaker to another, use a pre-DSP signal.

    Screenshot from Designer showing the P300's Dante output 1 being routed to the MXN5-C loudspeaker's Dante input 1.

Routing Signals to Multiple Loudspeakers

In rooms with multiple loudspeakers installed, you can road a signal from 1 loudspeaker to another using the Dante output aqueduct, or yous can route the signal to each loudspeaker individually.

Routing to Each Loudspeaker Individually

Utilize this method when:

  • Signal comes from device with Brooklyn II bit, such as a P300 or
  • Signal comes from device with Ultimo chip transmitting in multicast

Learn more than about Dante flows in our FAQs or from Audinate.

If you're using a Shure P300 or other devices with high unicast Dante flow limits, route a signal to each loudspeaker individually using Designer or Dante Controller.

Routing Signals from Loudspeaker to Loudspeaker

Use this method when:

  • Signal comes from device with Ultimo scrap transmitting in unicast, such every bit Shure ANI

Larn more most Dante flows in our FAQs or from Audinate.

If you lot encounter unicast Dante flow limits, route from one loudspeaker to another using the Dante output aqueduct.

  1. In Designer, put all of the loudspeakers and other devices you want to route to in the same room.
  2. Route the signal to the first loudspeaker.
  3. Open the beginning loudspeaker'due south configuration window in Designer.
  4. Choose Pre-DSP in the Dante output signal carte. This prevents DSP blocks from stacking on top of each other in the signal chain.
  5. Employ Designer or Dante Controller to road the point from the first loudspeaker to the next one. Repeat this process for each additional loudspeaker.

Network Mute Push

Reference these topics to get up and running with the MXA Network Mute Button. For in-depth information on mute button properties and all-time practices, see the total MXA Network Mute Button User Guide.

How the Network Mute Button Works

The network mute push is a simple muting solution for rooms with no microphone on the table, for when the microphone has no mute button, or for when y'all need another mode to control muting. Utilize Shure Designer software to link mute buttons to a compatible device.

Y'all can link mute buttons to Shure microphones, DSPs, or audio network interfaces. When you link mute buttons to a DSP or audio network interface, any supported devices continued to the DSP or audio network interface lucifer the button's mute status.

For case, in this room, 2 mute buttons are linked to a P300. Two MXA910 microphones are connected to the P300, and the P300 sends the almost-end bespeak to a soft codec running on a computer. When y'all press one of the mute buttons, all connected devices testify the correct mute status. The signal gets muted at the best betoken in the signal chain for DSP functioning.

Two network mute buttons linked to a P300. Press a mute button, and devices connected to the P300 show the correct mute state.

Linking Mute Buttons to a Device

Use Designer to link 1 or more mute buttons to a device. When yous link the mute button to Shure devices with IntelliMix DSP, the AEC stays converged to deliver the best performance.

In most rooms, all mute buttons control muting for the same device. To prepare this up:

  1. Create a room in Designer.
  2. Add the mute buttons and other Shure devices to the room.
  3. Open the room and go to Routing.

    From here, you lot can link mute buttons to compatible devices.

  4. Drag and drop from each of the mute buttons to the device you lot want to mute.

    In rooms with at to the lowest degree ane microphone and 1 audio processor, you can use the Optimize workflow to permit Designer automatically create mute control routes for you.

    Use these guidelines to cull what device to the link the mute button to:

    Microphone with IntelliMix DSP (MXA910 or MXA710), no dissever DSP: Link the mute buttons to the microphone.

    One or more than microphones connected to carve up DSP (P300, IntelliMix Room, or ANIUSB-MATRIX): Link the mute buttons to the DSP.

    Microphone continued to 3rd-political party DSP: If using the microphone'south IntelliMix output, link the mute button to the microphone. If using the microphone'due south directly outputs, use third-political party control strings to set up up muting.

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Source: https://pubs.shure.com/guide/Designer/en-US

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